It is in the heart of the Loire Valley, a land of castles and crafts, that the Art et Floritude workshop was born, founded by a master ironworker in the continuation of a long French tradition of decorative arts.
In its early days, the workshop focused on creating 18th-century inspired chandeliers, fashioned from metal foliage and adorned with porcelain flowers and fruit. These were generous and colorful pieces, handmade and initially intended primarily for private French homes.
Over the decades, changes in interior design and production methods have led the company to reinvent its style without abandoning its expertise. Taken over in 1994 by Sophie and Guillaume Arnoux, Art et Floritude gradually expanded internationally, showcasing its creations in England, the Middle East, and Russia. The forms evolved, becoming larger and more sculptural. Traditional chandeliers were replaced by large wall compositions, where plant motifs remained omnipresent, including vine leaves inspired by the region's landscapes.
The arrival of Virginie Kompalitch in 2016 marked a new chapter in this story. The workshop now focuses on creating unique, entirely bespoke pieces, conceived in collaboration with architects and interior designers. Lighting becomes sculpture, light becomes matter, and classic compositions give way to poetic, organic, or more architectural creations.
While foliage and the plant world remain deeply rooted in Art et Floritude's identity, the workshop's artistic language continues to evolve. Geometric lines now find their place alongside natural inspirations, while the porcelain work also continues to develop. Modeled flower by flower within the workshop, it is the subject of ongoing research, both to explore the possibilities of the material and to pass on these techniques to new generations of artisans .